Ghosts in Glass

I work with glass plate negatives, an 8x10 view camera, and 19th-century photographic processes, where each exposure invites both precision and unpredictability. Time stretches her arm across the plate, and the image emerges slowly — imperfect, ethereal, and tender.

What remains is not a perfect likeness, but something more intimate. These are not just photographs, but fragile objects; silver-stained relics of stillness, etched by light and drawn into being by my own hands.

In a world of instant images, I choose patience and process. My vision unfolds slowly, but what it reveals will endure. What you see in the glass is not only what was there, but what was felt and what has already begun to fade.